Download e-book for iPad: A Shostakovich Casebook by Malcolm Hamrick Brown

By Malcolm Hamrick Brown

ISBN-10: 025334364X

ISBN-13: 9780253343642

"A significant event.... This Casebook isn't just approximately Volkov’s Testimony, it truly is approximately tune outdated and new within the twentieth century, concerning the cultural legacy of 1 of that century’s so much extravagant social experiments, and what we need to study from them, not just what they must examine from us." —Caryl Emerson, Princeton University

In 1979, the alleged memoirs of mythical composer Dmitry Shostakovich (1906–1975) have been released as Testimony: The Memoirs of Dmitry Shostakovich As on the topic of and Edited through Solomon Volkov. considering that its visual appeal, notwithstanding, Testimony has been the point of interest of controversy in Shostakovich reviews as doubts have been raised bearing on its authenticity and the function of its editor, Volkov, in developing the book.

A Shostakovich Casebook provides 25 essays, interviews, newspaper articles, and reviews—many newly to be had because the cave in of the Soviet Union—that evaluate the "case" of Shostakovich. as well as authoritatively reassessing Testimony’s genesis and reception, the authors during this publication handle problems with political impact on musical creativity and the function of the artist inside of a totalitarian society. the world over recognized individuals contain Richard Taruskin, Laurel E. Fay, and Irina Antonovna Shostakovich, the composer’s widow. This quantity combines a balanced reconsideration of the Testimony controversy with an exam of what the debate indicates for all track historians, performers, and considerate listeners.

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First released in 2003. Routledge is an imprint of Taylor & Francis, an informa corporation.

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50 (1 980): 1 6061. 1 2 . Peter Schaeffer, "Shostakovich's 'Testimony': The Whole Truth? " Books & Arts, 7 March 1 980, p. 2 9 . 1 3 . Ibid. 14. The number and location of the inscriptions have been confirmed in a letter to the author, dated 9 July 1 980, from Testimony's editor Ann Harris. 1 5 . S. Frederick Starr, "Private Anguish, Public Scorn," Books & Arts, 7 De­ cember 1 979, p. 4. 16. Karlinsky, "Our D estinies Are Bad," p. 5 3 5 . Despite his discovery of sev­ eral problems in the absence of documentation in Testimony, Professor Karlinsky reasons that Volkov's "musicological expertise and his well-documented closeness to Shostakovich" leave no cause to doubt the authenticity of the manuscript.

Fay easily. Shostakovich is dead. Obviously we cannot turn to him for veri­ fication. Volkov points us to the book itself. In his preface and intro­ duction he describes the methods and circumstances which led to the publication of Testimony. It is a complicated process which, at crucial points, remains essentially unverifiable. For all practical purposes, the authenticity of the manuscript rests on two types of evidence. The first requires the tacit acceptance of Volkov's honesty and integrity.

B. M. Yarustovsky (Moscow: Sovetskii kompozitor, 1 973), p. 7 28 I Laurel E. Fay original publication, its punctuation and layout identical in every respect to the original; 10 and, d) that this very same passage coincidentally ended up as one of the pages in Testimony which Shostakovich "authenticated" with the inscrip­ tion "Read. D . " The only page from the original typescript of Testimony to have been published up to now is the opening page of chapter 2, shown in figure 2 . 2 . 1 1 But copies of a complete typescript have been in circulation over the years among some Russians living both within and outside the former Soviet Union, although the book itself has never been published in its original Russian language.

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A Shostakovich Casebook by Malcolm Hamrick Brown

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