Afro-Mexico: Dancing between Myth and Reality - download pdf or read online

By Anita González

ISBN-10: 0292737440

ISBN-13: 9780292737440

Whereas Africans and their descendants have lived in Mexico for hundreds of years, many Afro-Mexicans don't think of themselves to be both black or African. for nearly a century, Mexico has promoted an awesome of its electorate as having a mix of indigenous and eu ancestry. This obscures the presence of African, Asian, and different populations that experience contributed to the expansion of the kingdom. even though, functionality studies—of dance, tune, and theatrical events—reveal the effect of African humans and their cultural productions on Mexican society.

In this paintings, Anita González articulates African ethnicity and artistry in the broader landscape of Mexican tradition by means of that includes dance occasions which are played both by way of Afro-Mexicans or by means of different ethnic Mexican teams approximately Afro-Mexicans. She illustrates how dance displays upon social histories and relationships and records how citizens of a few sectors of Mexico build their histories via functionality. competition dances and, occasionally, expert staged dances aspect to a continuous negotiation between local American, Spanish, African, and different ethnic identities in the evolving kingdom of Mexico. those performances include the cellular histories of ethnic encounters simply because each one dance encompasses a spectrum of characters dependent upon neighborhood occasions and ancient thoughts.

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By Anita González

ISBN-10: 0292737440

ISBN-13: 9780292737440

Whereas Africans and their descendants have lived in Mexico for hundreds of years, many Afro-Mexicans don't think of themselves to be both black or African. for nearly a century, Mexico has promoted an awesome of its electorate as having a mix of indigenous and eu ancestry. This obscures the presence of African, Asian, and different populations that experience contributed to the expansion of the kingdom. even though, functionality studies—of dance, tune, and theatrical events—reveal the effect of African humans and their cultural productions on Mexican society.

In this paintings, Anita González articulates African ethnicity and artistry in the broader landscape of Mexican tradition by means of that includes dance occasions which are played both by way of Afro-Mexicans or by means of different ethnic Mexican teams approximately Afro-Mexicans. She illustrates how dance displays upon social histories and relationships and records how citizens of a few sectors of Mexico build their histories via functionality. competition dances and, occasionally, expert staged dances aspect to a continuous negotiation between local American, Spanish, African, and different ethnic identities in the evolving kingdom of Mexico. those performances include the cellular histories of ethnic encounters simply because each one dance encompasses a spectrum of characters dependent upon neighborhood occasions and ancient thoughts.

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Read Online or Download Afro-Mexico: Dancing between Myth and Reality PDF

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Extra resources for Afro-Mexico: Dancing between Myth and Reality

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Official culture began as religious spectacles and later emphasized European and Cuban genres. After the Mexican Revolution, Afro-Mexicans moved toward invisibility when the country embraced a mestizaje grounded in socialism. Today, African descendants in Mexico live in relative poverty among their Native American and mestizo neighbors. Their culture is defined in response to local and specific representations of negrito types. fr a m in g a fr ic a n per f or m a n c e in m e x ico | 39 | 2 Masked Dances Devils and Beasts of the Costa Chica This chapter describes and illustrates three dances commonly performed in the states of Oaxaca and Guerrero: the Devil Dance, the Turtle Dance, and the Toro de Petate, or Straw Bull Dance.

Photo by George O. Jackson. | 41 | Collantes, Oaxaca (1994). The “Devil” captures associations with evil and wrongdoing. Historical records indicate that under colonial rule some Afro-Mexicans renounced the Christian god because of the unfair conditions under which they lived. The Devil Dance is a physical embodiment of this renunciation. Most Devil Dance masks are horned and have a long beard. All dancers except the Minga wear this mask. Photo by George O. Jackson. reputable acts. In all three dances the Afro-Mexican performers wear masks; they impersonate supernatural beings and emerge in public to frighten bystanders.

Often these were pastorelas (shep| 22 | a fro -me x ico herd’s plays) or other illustrations of religious events. However, many included comic characters or commented on local politics. Inventive priests, such as the Franciscan friar Juan Bautista, at the College of Tlatelolco (1599), would write religious comedies. Dramatic scenes took place in outdoor capillas, or covered platforms. Some, like the Exconvento de San Francisco in Huaquechula Puebla, still stand as testimony to the outdoor play tradition.

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Afro-Mexico: Dancing between Myth and Reality by Anita González


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