By Eric Freedman, Richard Shafer
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Extra resources for After the Czars and Commissars: Journalism in Authoritarian Post-Soviet Central Asia
News values such as impact, conﬂict, novelty, prominence, proximity, and timeliness. These news values are o en touted as alternatives to those based on Soviet-era conventions, policies, and ideology under a system in which journalism training was directed at preparing professionals for propaganda-oriented careers and membership in the Communist Party. The two key questions then become: How did seven decades of Soviet journalism philosophy and practice form the foundation for contemporary Central Asian journalism philosophy and practice?
The Central Committee of the Communist Party became concerned with developing journalists-communists capable of simultaneously communicating with audiences and acting as dedicated ideologues. In reality, such professionals were rare. Devoted loyalists o en lacked professional skills. Press corps leaders usually shared the party’s conviction that class identity closely related to allegiance to the Bolshevik leadership. The dilemma was that these press corps leaders also were determined to employ competent professionals to raise the quality of their newspapers.
Tolstikova, Natasha. 2004. ” Journalism History 30(3): 131–40. Zassoursky, Ivan. 2005. Media and Power in Post-Soviet Russia. Armonk, NY: M. E. Sharpe. PART 2 National Perspectives Oligarchs and Ownership: The Role of Financial-Industrial Groups in Controlling Kazakhstan’s “Independent” Media Barbara Junisbai K azakhstan is known for its authoritarian political system and the absence of guarantees protecting citizens’ fundamental rights, including freedom of speech and freedom of the press. Under the rule of president Nursultan Nazarbaev, who has been in power since 1989,1 a variety of mechanisms— formal and informal, legal and de facto—has been used to control the media and to limit political contestation.
After the Czars and Commissars: Journalism in Authoritarian Post-Soviet Central Asia by Eric Freedman, Richard Shafer