By Karin E. Olsen, Jan R. Veenstra
Ever because the heart a long time the Otherworld of Faerie has been the article of significant highbrow scrutiny. What technological know-how after all disregarded as ethereal nothings was once given a neighborhood habitation and a reputation through paintings. This publication offers many of the major chapters from the background and culture of otherworldly spirits and fairies within the folklore and literature of the British Isles and northern Europe. In 11 contributions varied specialists care for a number of the major difficulties posed by way of the scholarly and creative disagreement with the Otherworld, which not just fuelled the mind's eye, but additionally ended in the last word redundancy of discovered perceptions of that Otherworld because it was once eventually obfuscated by means of the readability of an enlightened age. individuals comprise: Henk Dragstra, John Flood, Julian Goodare, Tette Hofstra, Robert Maslen, Richard North, Karin E. Olsen, David J. Parkinson, Rudolf Suntrup, Jan R. Veenstra, and Helen Wilcox.
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Extra resources for Airy Nothings : Imagining the Otherworld of Faerie from the Middle Ages to the Age of Reason : essays in honour of Alasdair A. MacDonald
W. 1 (2009), 129–44. 2011). 8 robert w. maslen the dead are very much more sophisticated than those of its rivals—a fact which, together with its anonymity, may have contributed to its relative obscurity in the annals of English fiction. The book may simply have been too clever to be readily assimilated into any of the categories by which scholars have sought to taxonomize Tudor prose fiction. The games begin in the preface or prologue of the first edition, and a close analysis of this prologue will give a good indication of the pamphlet’s unique relationship to the interwoven legends of Dr Faustus and Christopher Marlowe.
Marlowe may have named his protagonist after Faustus of Milevis, whom Augustine described as having been deceived by the Manichees and who was condemned as a heretic in Heinrich Cornelius Agrippa, Henrie Cornelius Agrippa, of the Vanitie and Vncertaintie of Artes and Sciences, trans. James Sandford (London, 1569), p. 168r. (Despite its age, this is the best English translation of the work and it is accessible through EEBO, Early English Books Online. ) See Augustine of Hippo, Confessions, trans.
The truth is’, it concludes, ‘that these [new stories or ancient copies] are commonly carried about for very certainty, yea and some are secretly laide up in grave men’s studyes for great reliques’ (sig. A4r). The balance here implied between ‘very certainty’—incontrovertible truths— and ‘great reliques’, the hallmark of papist superstition, tells us exactly what we should think about the grave men who take such nonsense literally. The narrative to follow is no ‘truthe’ but a fiction, and should be read as nothing more.
Airy Nothings : Imagining the Otherworld of Faerie from the Middle Ages to the Age of Reason : essays in honour of Alasdair A. MacDonald by Karin E. Olsen, Jan R. Veenstra